PUBLICATIONS LIST

Books and Edited Collections

Editor (or Co-editor) of the following issues of [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, ISSN 2469-4312: 4.4. December 2017 (forthcoming); 3.4. December 2016; 3.1. March 2016; 2.3. May 2015; 1.3. September 2014 on The Audiovisual Essay: Practice and Theory; and 1.1 March 2014.

Director/producer/lead editor of The Audiovisual Essay: Practice and Theory in Videographic Film and Moving Image Studies, a rolling companion publication website with thirty + essays and curated videos, 2014-present. Online at: http://reframe.sussex.ac.uk/audiovisualessay/

Editor (or Co-editor) of SEQUENCE One: Planet Melancholia (2012- present), SEQUENCE Two: We Need to Talk about the Maternal Melodrama (2013-present), SEQUENCE Three: Re/De-Composition: Sampling, Mashups, Remix, Glitch (2015-present); SEQUENCE Four: Analogue-Digital (2016-present); SEQUENCE Five: About Silence (2016-present). All peer-reviewed rolling journal issues accessible online here: http://reframe.sussex.ac.uk/sequence/. (ISSN 2052-3033)

Editor of Special Issue: “Film and Moving Image Studies Re-Born Digital?” Frames Cinema Journal, 1.1 (University of St. Andrews, Film Studies), 2012. ISSN 2053-8812. Online at http://framescinemajournal.com/?issue=issue1

Screening World Cinema: A Screen Reader, London and New York, Routledge, 2006 (co- edited with Annette Kuhn). ISBN: 9780415384292.

Screen ‘Special Issue on Latin American Cinemas’, Vol. 38, No. 4, 1997, (co- edited with Jackie Stacey). ISSN 0036-9543.

Other selected Screen Studies Publications

‘Star Studies in Transition: Notes on Experimental Videographic Approaches to Film Performance’, Cinema Journal, Volume 56, Issue 4, 2017. Open Access PDF:  http://c.ymcdn.com/sites/www.cmstudies.org/resource/resmgr/in_focus_archive/InFocus_56-4.pdf

‘The audiovisual essay as performative research’, NECSUS: European Journal of Media Studies, Autumn 2016. Online at: http://www.necsus-ejms.org/the-audiovisual-essay-as-performative-research/

‘Dissolves of Passion: Materially Thinking through Editing in Videographic Compilation’ in The Videographic Essay: Criticism in Sound and Image, Eds. Christian Keathley and Jason Mittell (Montreal: Caboose Books, 2016): 37-53. This work includes the video essay Dissolves of Passion, online at the Caboose website: https://www.caboosebooks.net/node/150 ISBN 978-1-927852-04-0.

‘Beyond tautology? Audiovisual Film Criticism’ , Film Criticism, Vol. 40, No.1, 2016. Online at: http://hdl.handle.net/2027/spo.13761232.0040.113

Women’s Cinema, World Cinema: Projecting Contemporary Feminisms by Patricia White” [Review Essay], Film Quarterly, Vol. 69, No. 1 (Fall 2015), pp. 99-101

“Film studies in the groove? Rhythmising perception in Carnal Locomotive” , NECSUS: European Journal of Media Studies, Spring 2015. http://www.necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/. PDF: http://www.ingentaconnect.com/contentone/aup/necsus/2015/00000004/00000001/art00007. DOI: http://dx.doi.org/10.5117/NECSUS2015.1.GRAN

“Interplay: (Re)Finding and (Re)Framing Cinematic Experience, Film Space, and the Child’s World,” [Video and text] LOLA, 6, 2015. Online at: http://www.lolajournal.com/6/interplay.html

“TURNING UP THE VOLUME? The Emergent Focus on Film Sound, Music and Listening in Audiovisual Essays” The Cine-Files: A Scholarly Journal of Cinema Studies (Spring 2015) 8. Special issue on Film Sound. http://www.thecine-files.com/turning-up-the-volume/

Solo editor of [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, 2.3. May 2015. Online at: http://mediacommons.futureofthebook.org/intransition/theme-week/2014/35/journal-videographic-film-moving-image-studies-13-2014

“Práctica, alcance y valor de los estudios videográficos sobre cine” Transit: cine y otros desvíos, April 30, 2015. http://cinentransit.com/practica-alcance-y-valor-de-los-estudios-videograficos-sobre-cine/

‘Las bodas de Laurel Dallas. O el melodrama materno de una espectadora feminista desconocida’, Transit. Cine y otros desvíos, January, 2015. Online at: http://cinentransit.com/las-bodas-de-laurel-dallas/. Translation into Spanish of the peer-reviewed video and article: Grant, C., ‘The Marriages of Laurel Dallas. Or, The Maternal Melodrama of the Unknown Feminist Film Spectator’, Mediascape: UCLA’s Journal of Cinema and Media Studies, Fall 2014. [Video and text]. ISSN 1558478X Online at: http://www.tft.ucla.edu/mediascape/Fall2014_MarriagesMelodrama.html

‘The Marriages of Laurel Dallas. Or, The Maternal Melodrama of the Unknown Feminist Film Spectator’, Mediascape: UCLA’s Journal of Cinema and Media Studies, Fall 2014. [Video and text]. ISSN 1558478X Online at: http://www.tft.ucla.edu/mediascape/Fall2014_MarriagesMelodrama.html

‘The Remix That Knew Too Much? On Rebecca, Retrospectatorship and the Making of Rites of Passage’, The Cine-Files: A Scholarly Journal of Cinema Studies, Fall 2014. [Video and text]. ISSN 2156-9096. Online at: http://www.thecine-files.com/grant/

‘The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking’, ANIKI: Portuguese Journal of the Moving Image, 1.1, 2014, Online at: http://aim.org.pt/ojs/index.php/revista/article/view/59/html

with Christian Keathley, ‘The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies’, Photogénie, 0, June 2014. Co-authored introduction/individually authored text and video. Originally online at: http://www.photogenie.be/photogenie_blog/article/use-illusion. Now moved to : https://cinea.be/the-use-an-illusion-childhood-cinephilia-object-relations-and-videographic-film-studies/.

with Christian Keathley, ‘El uso de una ilusión: Cinefilia infantil, relaciones de objeto y estudios videográficos sobre cine’, Transit. Cine y otros desvíos, September 9, 2014. (translation into Spanish of  ‘The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies’, Photogénie, 0, June 2014). Online at: http://cinentransit.com/cinefilia-infantil-relaciones-de-objeto-y-estudios-videograficos-sobre-cine/.

‘Editorial Introduction’, ‘Bergman Senses’ and ‘Resources’ page, [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, 1.1. 2014 (Co-edited Inaugural issue of the first peer-reviewed journal of audiovisual film studies). Online at:http://mediacommons.futureofthebook.org/intransition/theme-week/2014/10/intransition-videographic-film-moving-image-studies

“The Audiovisual Essay: My Favorite Things”, [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, 1.3. September 2014 on The Audiovisual Essay: Practice and Theory. Online at: http://mediacommons.futureofthebook.org/intransition/2014/08/26/audiovisual-essay-my-favorite-things

Director/producer/lead editor of The Audiovisual Essay: Practice and Theory in Videographic Film and Moving Image Studies, a companion website with thirty + essays and curated videos. Online at: http://reframe.sussex.ac.uk/audiovisualessay/

‘How long is a piece of string? On the Practice, Scope and Value of Videographic Film Studies and Criticism’, The Audiovisual Essay: Practice and Theory of Videographic Film and Moving Image Studies, September, 2014. Online at: http://reframe.sussex.ac.uk/audiovisualessay/frankfurt-papers/catherine-grant/

“Editorial Introduction,” “Bergman Senses” and “Resources” page, [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, 1.1. 2014 (Co-edited Inaugural issue of the first peer-reviewed journal of audiovisual film studies). Online at: http://mediacommons.futureofthebook.org/intransition/theme-week/2014/10/intransition-videographic-film-moving-image-studies

Director/co­editor of Testament of Cocteau: ORPHÉE on Film and in Opera, 40 minute scholarly video (featuring the work of Ed Hughes and James S. Williams), published at REFRAME Conversations, September 2014. Online at: http://reframe.sussex.ac.uk/conversations/archive2014/testament-of-cocteau-orphee-on-film-and-in-opera/

Mechanised Flights: Memories of HEIDI by Catherine Grant,” Curated by Chiara Grizzaffi, “On Video Tributes,” [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, 1.2. June 2014. Online at: http://mediacommons.futureofthebook.org/intransition/2014/06/23/video-tributes

Intersection [on Wong Kar-wai’s In the Mood for Love],” Curated by Girish Shambu, ‘Intersection’, [in]Transition: Journal of Videographic Film and Moving Image Studies – a Cinema Journal/MediaCommons Collaboration, 1.2. June 2014. Online at: http://mediacommons.futureofthebook.org/intransition/2014/06/20/intersection-catherine-grant-chiara-grizzaffi-denise-liege-2014

“Scholarly Striptease. Or, The Unintended Consequences of Film Studies For Free, In Media Res (Open Source Academia Theme Week), December 1, 2014. Online at: http://mediacommons.futureofthebook.org/imr/2014/12/01/scholarly­striptease­or­unintended­con sequences­film­studies­free

‘Notes on Mirror Visions in Modesty Blaise (Joseph Losey, 1966)’, LA FURIA UMANA, 17, 2013 (online) [Video and text] and LA FURIA UMANA, Paper #3, 2013. ISSN 2255-2812. Online at: http://www.lafuriaumana.it/index.php/29-issues/numero-17/31-catherine-grant-notes-on-mirror-visions-on-modesty-blaise

“Déjà viewing?: videographic experiments in intertextual film studies,” Mediascape : UCLA’s Journal of Cinema and Media Studies, Winter 2013. Online at: http://www.tft.ucla.edu/mediascape/Winter2013_DejaViewing.html

“Film and Moving Image Studies: Re-Born Digital? Some Participant Observations,” [Video and text], , Frames Cinema Journal, 1 (1), 2012. Online at http://framescinemajournal.com/article/re-born-digital/.

‘Auteur machines? Auteurism and the DVD’ in James Bennett and Tom Brown (eds), Film and Television After DVD (London and New York: Routledge, 2008)

‘Introduction’ in Screening World Cinema: A Screen Reader (London and New York, Routledge, 2006, coedited with Annette Kuhn)

‘Home Movies: The Curious Cinematic Collaboration of Anne-Marie Mieville and Jean-Luc Godard’, in For Ever Godard (eds) Temple, Williams, Witt (London: Black Dog Press, 2004), pp. 100-117.

‘Still Moving Images: Photographs of the Disappeared in Films about the Dirty War in Argentina’, Phototextualities: Intersections of Photography and Narrative, ed. Alex Hughes and Andrea Noble (Albuquerque: University of New Mexico Press, 2003)

 ‘Recognizing Billy Budd in Beau Travail: Epistemology and Hermeneutics of an Auteurist “Free” Adaptation’, Screen Vol. 43, No. 1, 2002, pp. 57-73.

‘La función de “los autores”: la adaptación cinematográfica transnacional de El lugar sin límites’, Revista Iberoamericana, Vol. LXVIII, Núm, 199, Abril-Junio 2002, pp. 253-268.

The “Author Function” in Transnational Film Adaptation: the Case of El lugar sin límites'(Ripstein, Puig, Donoso’ – English language translation of above article

‘Secret Agents: Feminist Theories of Women’s Film Authorship’, Feminist Theory Vol. 2, No. 1, April 2001, pp. 113-130.

‘Intimista Transformations: María Luisa Bemberg’s First Feature Films’, An Argentine Passion: The Films of María Luisa Bemberg ed. John King, Sheila Whittaker and Rosa Bosch (London: Verso, 2000).

 ‘www.auteur.com?’, Screen Vol. 41, No. 1, 2000, pp. 101-108.

Link to fragment from: ‘Camera Solidaria’, Screen Vol. 38, No. 4, 1997, pp. 311-328

‘Giving up Ghosts: Eliseo Subiela’s Hombre mirando al sudeste and No te mueras sin decirme a dónde vas’, Changing Reels: Latin American Cinema against the Odds, ed. Rob Rix and Roberto Rodríguez-Saona (Leeds: Leeds Iberian Papers – Trinity and All Saints/University of Leeds, 1997), pp. 89-