I was very honoured to be invited by Locarno Festival Critics Academy director and festival programmer Daniela Persico (one half of the marvellous Filmidée film criticism and film education duo) to screen some recent and new video works and participate in several roundtables and workshops at this year’s festival in southern Switzerland.
What does it say about British identity that from as early as the 13th century foreign states have shared a single Anglophone slur to describe British double-dealings overseas? Perfidious Albion: the name for Britain when its government operates dishonourably, is treacherous, or betrays a promise.
The promise of British identity has been much discussed in the last twelve months. Two versions are in competition. Britain in the world, outward looking and open. Britain as an island nation, insular, self-interested, maybe closed. In the aftermath of the Brexit vote, as Britain floats off the coast of mainland Europe and dreams its future, this programme looks at how essay filmmakers have analysed the promise represented by modern Britain and estimated to what degree the country lives up to its perfidious reputation. Curated by Catherine Grant and Sarah Wood, it features two recent works by Wood, alongside works by Derek Jarman, Humphrey Jennings, Margaret Tait, Isaac Julien and the Sankofa Film and Video Collective, and Cordelia Swann.
Below is a list of the thirteen videos I have made and formally published in the last twelve months. There are a few unlisted ones that I made and haven’t yet published: these should see the light of online day in the next calendar year.
It’s actually been quite a slow year for me on the production front as I had a lot of teaching as well as editorial and curatorial work at [in]Transition, REFRAME, and elsewhere. In 2017 I hope to make more research-related videos, and also to work on some longer pieces, as I am fortunate to have a six-month long paid study leave (the second such period in my twenty-five years as an academic). #newyearsresolutions.
SPARKLE: A tiny video-remix comparison of some glimmering audio/visual moments from Picnic at Hanging Rock (Peter Weir, 1975), The Virgin Suicides (Sofia Coppola, 1999) and The Falling (Carol Morley, 2014). https://vimeo.com/157653540
THE PERSISTENCE OF VISION: A video tribute to the work of film scholar Elizabeth Cowie, featuring Morocco, Now, Voyager and Let There Be Light, as well as the voices and choices of Andrew Klevan, Christine Evans, Coral Houtman and Sarah Wood https://vimeo.com/169120246
Back from its wee break, Film Studies For Free was saddened to hear of the passing of one of the DIY geniuses responsible for its author’s early fascination with the world of filmmaking: Oliver Postgate, co-creator (with Peter Firmin) of numerous magical Small Films shown on television (Bagpuss, Clangers, Ivor the Engine, Noggin the Nog, Pogles, Pingwings), died peacefully in Broadstairs on the Kent coast on 8 December 2008.
In Film Studies For Free‘s humble opinion, one of the most exciting online areas for potential Film Studies‘ development is rapidly emerging from the already hugely popular Web 2.0 practice of video-sharing. It has never been easier to publically display work in which moving (and still) image-tracks, created by others, can be ‘overlaid’ with one’s own recorded words/sounds/text, to create web ‘video-essays’ or online ‘audio-commentaries’.